Acting (BFA)
The Bachelor of Fine Arts in Acting provides preparation for successful careers in performing arts, entertainment, and cultural industries.
Admission
Audition. Please consult the Dramatic Arts website for current admission details.
Location
- Storrs Campus
Modality
- In Person
Requirements
Core Courses
Acting students must complete the following core courses.
| Course | Title | Credits |
|---|---|---|
| DRAM 1215 | Theatre Production: Makeup And Wardrobe For The Actor | 3 |
| DRAM 1282 | Practicum in Dramatic Arts | 2 |
| DRAM 3182 | Practicum in Dramatic Arts | 3 |
| DRAM 1701 | Acting I | 2 |
| DRAM 1702 | Acting II | 3 |
| DRAM 1801 | Stage Movement I | 2 |
| DRAM 1802 | Stage Movement II | 3 |
| DRAM 1901 | Voice and Speech I | 2 |
| DRAM 1902 | Voice and Speech II | 3 |
| DRAM 2701 | Acting III | 3 |
| DRAM 2702 | Acting IV | 3 |
| DRAM 2810 | Stage Movement III | 3 |
| DRAM 2812 | Stage Movement IV | 3 |
| DRAM 2901 | Voice and Speech III | 3 |
| DRAM 4701 | Acting V | 3 |
| DRAM 4702 | Acting VI | 3 |
| DRAM 4703 | Acting VII | 3 |
| DRAM 4704 | Acting VIII | 3 |
| DRAM 4705 | Acting for the Camera | 3 |
| DRAM 4811 | Stage Movement V | 3 |
| DRAM 4911 | Voice and Speech IV | 3 |
| DRAM 4912 | Voice and Speech V | 3 |
| DRAM 4931 | Stage Dialects | 3 |
Additional Required Courses
Diverse Perspectives
All students in the department are required to take at least one course within the major that contributes to the advancing of diverse perspectives. Courses that count toward this requirement include:
| Course | Title | Credits |
|---|---|---|
| Select one of the following: | 3 | |
| Introduction to World Puppetry | ||
| History of Popular Theatre and Live Entertainment | ||
| Asian Theatre and Performance | ||
| Asian American Theatre and Performance | ||
| Islam on Stage | ||
| Women in Theatre: Gender Identity and Expression on the Stage | ||
| Black Theatre | ||
| African-American Women Playwrights, 1900 to the present | ||
| Latina/o Theatre | ||
| Theatre and Human Rights | ||
When applicable, courses taken to fulfill this requirement may also be counted toward the department history and literature-based course requirement.
History and Literature
Acting students must complete the following history and literature courses.
| Course | Title | Credits |
|---|---|---|
| DRAM 2130 | Histories of Drama and Performance I | 3 |
| DRAM 2131 | Histories of Drama and Performance II | 3 |
| Select six credits selected from the following literature and history-based courses: | 6 | |
| History of Popular Theatre and Live Entertainment | ||
| Asian Theatre and Performance | ||
| Asian American Theatre and Performance | ||
| Islam on Stage | ||
| Women in Theatre: Gender Identity and Expression on the Stage | ||
| Black Theatre | ||
| African-American Women Playwrights, 1900 to the present | ||
| Latina/o Theatre | ||
| Contemporary Theatre and Performance | ||
| Theatre and Human Rights | ||
| Trends in the Contemporary Puppet Theatre | ||
| Plays for Puppet Theatre | ||
| Advanced Topics in Theatre and Performance | ||
| The Director in the Theatre | ||
Writing and Information Literacy Requirements
Writing in the Major
To fulfill their departmental writing in the major requirement, students in all three B.F.A. programs must complete one of the following courses:
| Course | Title | Credits |
|---|---|---|
| DRAM 3141W | Playwriting | 3 |
| DRAM 4135W | Advanced Topics in Theatre and Performance | 3 |
| DRAM 4711W | The Director in the Theatre | 3 |
Information Literacy
All upper-level courses in Design and Technology, Puppet Arts, and Theatre Studies build upon the basic information literacy competencies introduced in ENGL 1007 Seminar and Studio in Writing and Multimodal Composition, ENGL 1010 Seminar in Academic Writing, or ENGL 1011 Seminar in Writing through Literature. Students are expected to develop an understanding of how information is created, disseminated, and organized in the performing arts, and develop abilities in accessing, evaluating, synthesizing and incorporating information into written, oral, or media presentations.
Supplementary Scholastic Standards
The University of Connecticut requires that all undergraduate students have a cumulative grade point average (GPA) of at least 2.0 at the time of graduation. Acting BFA students are further required to receive grades that are no lower than a C in any single core course (Acting, Movement, Voice) in the major during the first and second years of study, and thereafter no lower than a B-. They are also required to receive a grade of Satisfactory in all Practicums. Adherence to the Department of Dramatic Arts Production Participation and Professional Collaboration Standards policy is a requirement for passing all core courses and practicums. Students who receive a grade lower than those above in a core class or practicum will be placed on program-level warning for the following semester. Per department policy, students on program-level warning are not eligible to be cast in department productions, including those at Connecticut Repertory Theatre, nor to enroll in DRAM 3182 Practicum in Dramatic Arts.
In the event a student’s academic achievement does not rise to the minimum level during the next semester attended by the student, they may be subject to dismissal from the BFA Acting program.
In the event a student is discontinued from the BFA Acting program, they will be eligible to file a written appeal within 10 days of their notice of discontinuation. Students should refer to the Department’s Handbook for details on the dismissal policy and process.
University Common Curriculum Requirements
Every student must meet a set of core requirements to earn a baccalaureate degree, in addition to those required by the student's major course of study and other requirements set by the student's school or college. For more information about these requirements, please see Common Curriculum Requirements.
School of Fine Arts Degree Requirements
Students must meet a set of requirements established by the college in addition to the University's Common Curriculum requirements. For more information, see the School of Fine Arts section of this catalog.
Learning Objectives
- Work with a dynamically aligned body, free from unnecessary tension and efficient and expressive in action.
- Understand and challenge their personal movement patterns and is capable of full physical transformation.
- Uses consent-forward artistry to successfully create dramatic moments of physical storytelling, e.g. intimacy and stage violence.
- Uses a voice that is healthy, free, and responsive to shifts in thought and feeling.
- Delivers speech that is intelligible and encompasses a range of accents, characters, texts, and media.
- Acts believably under imaginary circumstances in a wide variety of mediums.
- Can "find the game," responsively and in complicité with both the space and fellow actors.
- Foster a growth mindset towards themselves and others, equipping them to continually expand their artistic toolkit, proactively take risks and embrace failure as a crucial step towards success.
- Self-start their creative process and know how to administrate and innovate as an entrepreneur.
